Not Exactly Idle

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This is one of the latest to come out of the kiln. Perhaps, y'all remember when the bisque photo appeared. Since i lose so many pieces to the glaze firing, there's usually a long delay tween the time they are bisqued then glostfired. However, i'm getting braver. Discovering that they can be dremeled, sanded, Aztec'd, reglazed and refired has given me courage to get some of these pieces off the "hold" table and into the finished pieces cabinet. The lady wore an intensely blue hat the first time she was glazed and fired. This turned a lovely shade of lavender (all by itself) upon exiting the 2nd glaze fire.
The cup still isn't quite right, so am going to try for a 3rd firing soon. Am hoping the hat doesn't decide to change color again!

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This is a teapot in the making. If one looks through the slit near the bottom, daylight can be seen on the other side. That, of course, isx - xif it isn't nighttime when you glance through the aperature.
Had fun creating this one. In fact, got so involved in making it and was so focused in getting the proportions just to my liking that i failed to consider how large it was getting.

Darn thing won't fit in my electric kiln !!!

Soon the snow will melt (ok. that might be a day or two) and i can get out to the kiln room and fire up the gas beasti but i have a hunch this teapot isn't going to be fired until way into the new year.

Speaking of New Years -- here's wishing you all the very best in this coming New Year. Am hopin' and prayin' that all your desires come to fruition and that it's the very best year ever!
Happy New Years!
Chae

Auld Lang Syne

Perhaps it's because these are the closing days of the year, or perhaps it's because i had a wonderful Christmas and am feeling very sentimental; whatever the reason, a few moments ago i visited the site at: http://ysarts.blogspot.com and my heart swelled up with emotion.
"What set of circumstances could cause that?" you ask.

There's an extremely well-done mural board on the right side of the blog and just below this is located a "snips" player playing an exceptionally well-done version of the sentimental song: Auld Lang Syne. As the mural board pictures tastefully fade, one into another, of local artist's works (all are noteworthy) the music fills your heart with a certain sense of awe.

Normally, i'm not an advocate of music playing on websites, blogs, etc. Generally, i think they're tacky.

However, i believe Jafabrit at the Yellow Springs Arts Council (and the address is worth repeating: http://ysarts.blogspot.com )will have me as a repeat visitor many times just to hear the music and watch the mural.

Well done
Chae

Time To Reflect

The year 2007 has basically ended. The new year is about to begin. What will we bring ourselves in the new year?

What gifts of creation, what goals, what purposes will we endow ourselves with in the coming days, the coming months?

Today is the first "breather" from recent hectic holiday activity and i thoroughly intended to reflect on the work accomplished this past year and on the direction it should take during the next 12 months.
However . . .
My thoughts hid in sleepiness, not actual sleep mind you, just that grogginess of a mind not quite in gear. A mind slumbering in the fog of exhaustion.

I intended to reflect on the pottery pieces that pleased me and seemed meaningful. Should i pursue the character mugs? Or focus on teapots? Fashion a series of casserole dishes?

It may be a time to look at this from a different perspective -- should i focus on production pottery, do simple bowls and plates (which have more market potential) or continue with fancy creative endeavors (which will require, perhaps, a specialized market niche)?

Or possibly, explore new opportunities and fashion pieces which make "statements" about our culture. About the world we find ourselves in.

It's definately time to reflect on marketing techniques and strategies.

What direction are you going with your pottery endeavors this year? Will you stay with a style which has been successful for you? Or try something new?

Ah yes . . . A time to reflect.

And i will - right after i finish trimming the milk pitcher started a couple of days ago, finish glazing the casserole bowls waiting for their decorative colors, add the spout and handle to the teapot which is still on the wheel, bisque fire those pieces that are dry enough, fire those that await the glostfire . . . .

Happy Reflections
Chae

Tis The Season

Merry Christmas to one and All
Hope your pottery endeavors of 2007 were a success and that those successes are doubled, tripled, quadrupled and even better than that in 2008.
May all the JOY of the Season be upon you.
Chae

Simon Leach

Found some of Simon Leach's videos on Ron Philbeck's Dec. 13, 07 blog entry.
http://pottersjournal.blogspot.com
More than likely y'all are already familiar with Bernard Leach's fame and this is his grandson.
Simon has 109 videos posted on YouTube and apparently adds a new one every day! Worth checking out at: http://www.youtube.com/profile_videos?p=r&user=sleachpots&page=1 Here's one of Simon's videos on making quadruple bowls. (Ron has different ones posted on his blog.)

Work In Progress

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This little puppy survived the bisque firing. When it went into the kiln, the lid fit perfectly. However, the lid warped a bit during the process. Am tickled pink the pot bisqued well, but bummed out about the lid.
Have been studying (trying to find info on) firing in high altitudes. 6000-7000 feet. There's not much information on the web about this subject.
Thought perhaps, preheating pieces before putting them into the kiln might work. Spent most of last evening trying to revamp a wire birdcage so it would fit atop the woodstove. Add a shelf and surround it with tin foil and Walla! A mini oven . . . .
However, i'm not particularly handy when it comes to projects like this and by 11pm gave up in frustration.
My batting average for pieces surviving the glost-firing lately has been nil. (Think the altitude may have something to do with this.) Plus, it's been truly exhausting. As soon as the previous day's pieces come out of the kiln, i prepare to fire again the next day. Set the alarm for 6am, turn the lights out and fall asleep by 2am. At exactly 3:16am, my eyes pop open, thoughts are in full gear and i'm wide awake. An hour and a half's sleep just isn't going to cut the ice, so try to fall back to sleep. At 4am, i give up the ghost, get up and start the kiln. Yep! A truly exhausting schedule.
Hey! Hope you are having a great weekend.
Me? My elbow is propped on the desktop holding my head in an upright position while i pretend to be awake. Can hardly wait til tomorrow to see what comes out of the kiln . . . .
Chae

To Be Censored? Or Not . . . .

Was reading Carole Epps's blog this morning. http://www.musingaboutmud.blogspot.com and her December 2, 07 column "Controversy of Contextualising" about Leopold Foulem's work caught my eye.

All of this leads to the question: Do you self-censor your work if you think the content/concept will be received by the viewer in a negative way?

And: Is self-censoring of "confrontational imagery" a valid use our artistic talents?

Chae